*This is a spoiler-free review so feel free to read on!*
“So you’re listening to everything?”
Kimi (KIMI) premiered on HBO Max on February 10th 2022. The tech thriller film stars Zoë Kravitz, Byron Bowers, Rita Wilson, Robin Givens, Devin Ratray and Erika Christensen. It runs for approximately 90 minutes.
A tech worker with agoraphobia stumbles upon a recording of a violent crime. After several failed attempts to report it, she decides to leave her apartment to seek justice for the woman on the recording, but soon finds herself in immediate danger.
Here is the trailer:
Kimi may initially seem to follow the Rear Window formula, but its electric female lead and modern tech style give watchers plenty to enjoy. Is it worthy of your next watch? Let’s find out…
A worthy performance…
Zoë Kravitz really delivers in this one and then some! I’ve seen a lot of movies like this before with some over-the-top performances that left a lot to be desired, but Kravitz’s portrayal of Angela is believable and chilling. She is broken in a lot of ways, but is also extremely capable and I thought she brought a charming/awkward quality to her character, which made me like her that much more.
The tech angle worked.
In some ways, this movie is like a mix of The Net and Rear Window. Our main character stares out plenty of windows at her neighbors, but the real mystery surrounds something she hears while doing her job. I was worried that the tech feel was going to feel forced to make this film seem more modern, but it actually worked to the film’s advantage and gave it an edge of originality.
We’ve seen a lot of this set-up before…
I just recently watched the Kristen Bell parody/spoof series, The Woman in the House Across the Street from the Girl in the Window and I couldn’t help chuckling at some of the tropes and plot points that were presented once again in this film. The main character can’t leave her house and she has to channel her strength to actually face her fear. She copes with a past trauma and also has to deal with people not believing her.
Well, yeah. It follows the Rear Window formula, but luckily Kravitz doesn’t keep handing out casserole dishes left and right.
The plot follows a a very familiar path and the pacing is slow at first, but things do pick up and the ending is rewarding enough.
So am I in or out?
The contemporary take on the Rear Window story delivers with a worthy female lead!
I may have seen this type of movie before, but I thought that it was really entertaining and I was glued to my seat the entire time.
An intense watch!
I hope you enjoyed the review and feel free to post your own thoughts and theories on Kimi in the comments section below. Thanks so much for reading and happy viewing!
Amy Koto, TV Fanatic Girl
DON’T TAKE THE JOB…
It was only supposed to be temporary…but when Olivia Crewe accepts a new position that seems too good to be true, she soon discovers that twelve other girls previously had the same job as her. Only none of them lasted for more than thirty days. No notice. Nothing…right before they mysteriously disappeared without a trace.
My supernatural thriller Girl Number Thirteen is out now! I hope you enjoy!
Girl Number Thirteen is available here!
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