*This is a spoiler-free review so feel free to read on!*
“Come with me and everything will be ok…”
Harlan Coben’s Run Away premiered on Netflix on January 1st 2026. The mystery thriller series (based on the novel of the same name) features eight episodes available to stream now. It stars James Nesbitt, Minnie Driver, Ruth Jones, Jon Pointing, Maeve Courtier-Lilley, Amy Gledhill and Alfred Enoch. Each episode runs for approximately 46-48 minutes.
When Simon tries to track down his missing daughter, Paige, he gets caught up in a dangerous search exposing deadly secrets as he gets closer to the truth.
Here is the trailer:
Run Away is a strong entry into the Harlan Coben mini series, featuring plenty of shocking and jaw-dropping moments. Is it worthy of your next watch? Let’s find out…
The Pros:

A mystery that hooks you right away.
New Year’s Day is one of my favorite days of the year because it means we typically get a new Harlan Coben series to dive into. I was super excited for this one and I have to say that it delivered and then some! The opening was very strong and its premise sunk its teeth into me immediately, drawing me in completely.
I watched all eight episodes in one day. Each one did just enough to keep me coming back for more. As soon as I thought I had things all figured out, there would be another unexpected turn, leading up to an incredible and beyond shocking conclusion that I’m still thinking about.
I haven’t been this excited about a Harlan Coben series since The Stranger, which I still think is the strongest entry to date.

Solid pacing.
I never looked at the time even once while watching this. I have struggled with the pacing of some of the other Harlan Coben series, but I thought they did a fantastic job with this one. There wasn’t too much unnecessary fluff packed in. Everything seemed necessary for the main plot and the end of each episode featured a terrific cliffhanger.
The Cons:

Some unanswered questions…
I don’t have too many cons for this one. I thought this was an exceptional series, but I did have a few unanswered questions by the time I got to the end. Maybe I wasn’t paying attention enough or maybe the details were explained more in the book, but I was scratching my head at the end wondering about a few details that didn’t seem to be explained enough. That being said, after that final twist, I’m not sure that it really mattered…wow.
So am I in or out?

I’m in!!!
Run Away starts the year off with a bang, bringing us a shocking and well-layered mystery that will keep you guessing. I absolutely loved this!
I hope you enjoyed the review and feel free to post your own thoughts and theories on Run Away in the comments section below. Thanks so much for reading and happy viewing!
Best,
Amy Koto, TV Fanatic Girl
DON’T TAKE THE JOB…

It was only supposed to be temporary…but when Olivia Crewe accepts a new position that seems too good to be true, she soon discovers that twelve other girls previously had the same job as her. Only none of them lasted for more than thirty days. No notice. Nothing…right before they mysteriously disappeared without a trace.
My supernatural thriller Girl Number Thirteen is out now! I hope you enjoy!
Girl Number Thirteen is available here!
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Just finished the miniseries “Run Away”, following the entry “I will find you”. This time a British production and you immediately feel the change in style, even if the overarching topic is the same; father looking for a child disappeared, albeit an older female this time. A more European approach, more down to Earth, filled with normal people.
Unlike “I will find you”, we experience the general frustration with police work, that incentivises a father taking things into his own hands to look for his daughter, who has vanished with an abusive drug addict. This time the story is not a “Who did it?”, but “What happened?”, and is shrouded in mystery, while an unknowing father unravels not only what drove his sweet daughter to a life with drug addiction, but also why she has completely disappeared.
Father, Simon Greene crosses path with P.I Ravencroft, an equally charming, but quirky woman, whose own investigations aligns with his. Their chemistry is really good and it is hard not to like them. Subplot is about lack of communication like in “I will find you”, but this time it is an endless stream of secrets being kept from Simon that he has to uncover.
Like a traditional novel, we follow side characters that are woven into the intrigue, like hitman couple or the cop couple where the female, the competent of the two are all interesting bits and never feel like fillers, but valuable information in fragments. Unfortunately the competent police woman is not taking part, while her partner is getting nowhere, determined Simon is the killer of his daughter’s abusive boyfriend.
It’s the story that is the focus supported by a great cast, not the dialogue, although tight, is more meant as information extractions and storytelling, than used for psychological depth, with the exception of Simon and “Miss Maple” Ravencroft, who shares seemingly stories of being withheld information by their loved ones.
It’s a story that keeps you eager to learn what is happening, while the mystery unravels, which is really sped up in the last two episodes. Outside Simon being shot, which could easily have been avoided, there is no other frustrations or suspensions of belief. It’s a 8.5 for me.
I’m so glad you got to see it! You make some really terrific points. Do you write reviews as well? You should!
These two entries on your page are my first. Felt I owed you a rapport on your recommendation, and hope it is alright I did so, rather than just short reply. Both times I had to rewrite them, because the first didn’t register.
Very sweet of you to say. One once recommended I did, but I never acted on it, until crossing path with you. Think your style is excellent, and I would likely reveal too much, but I have to admit it is great fun to do. Thank you, Amy.
You’re very kind! If you ever decide to I’d love to read them!
That’s a great compliment, Amy. I certainly will let you. You showed the path in this wilderness of releases, where I felt completely lost.